Just the idea of having so many people contributing to it felt very in line with how the band always operated, for better or for worse, this time for better in my opinion at least. What made it feel like a Teen Suicide release? There were so many lineup changes and contributors to the record.
So this time around after we got three or four songs done in the fall of 2014 I decided to keep just going with it with whoever was around. So since 2013 we’ve been trying to do that and never had the chance ( laughs). So there was always this idea before we all moved on or whatever, whether we moved on to new bands with or without each other, we oughta do one last thing that kind of ties up this weird project for better or for worse. Then in 2014 we were going to try do the same thing and we got maybe three recorded. When Eric (Livingston), the drummer, first moved home in about 2013 or so we were going to record seven or eight songs for fun and we never got to. There was always some weird plan that never really came to fruition.
When did you decide to make a new Teen Suicide record? The Teen Suicide reunion kind of started impromptu, and then you decided to play a few more shows, and then you decided to do it a little more. It's the Big Joyous Celebration, Let's Stir the Honeypot by teen suicide I grew up listening to them.’”), we spoke about making the album, how everything relates to death, and Ray’s evolving perspective on the group he formed seven years ago in Silver Spring, Maryland. Ahead of Teen Suicide’s tour with Say Anything and mewithoutyou (“I think our booking agent was expecting me to say no and I said, ‘of course. Making the album-a 26-song, multi-genre opus recorded over a grueling year-warrants the exhaustion. Support Independent Music! Give Us A Follow:
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